Friday, January 23, 2015

Review: "Art Quilting Studio" Winter 2015

Art Quilting Studio is a quarterly publication produced by Stampington & Company.  They have quite a few magazines under the omnibus - all quality publications, which I really consider soft bound books, as opposed to the less-impressive sounding 'magazine.' Their Somerset Studio series is one of my favorite things to find in my mailbox throughout the year.

Art Quilting Studio is no exception to the benchmark they have set for themselves. It is gorgeously illustrated with fine photography accompanied by literate and knowledgeable text and all printed on really good weight paper which feels as substantial in your hands as the articles you are reading.

I had to admit, when my copy arrived and opened it up, I knew I was in for a treat. The front page had an ad from a company that produces special-design storage systems for artists and craftsmen of which I own three different pieces. I knew this was going to be right up my alley!

With the plethora of traditional quilting magazines on the market, I really appreciate the focus on new and innovative work Art Quilting Studio takes. The very first article, which was lavishly accompanied by photos of the work, was sheer collage quilting by Terri Stegmiller. These delicate, ephemeral - yet substantial in design - really spoke to me. As the vernacular goes, they knocked my socks off! There are many other intriguing and fascinating techniques explored and exhibited in such articles as "Free Motion Faces" by Liz Alessi, a marvelous quilt made of the outer covers of hardbound books by Suzanna Scott (article written by Amber Damien), that expands the boundaries of what constitutes a "quilt."

Another not-to-miss article is "One Hot Mama," in which Asya Lesly shares her quiltmaking inspirations and intimate details of her personal life that have affected her design work. I found myself reading as if hearing her speak, her words affecting me.

Two different articles could not have been more different in style, design, effect and vision. Yet both spoke to me on very different levels. "Altering Vintage Photos & Papers for Fiber Art" by Janice Paine Dawes was exciting in that it took vintage materials and turned them into striking, contemporary works that made you want to fall into them. She shared much of her technique and materials, so that you can play and experiment! The other was "Pretty Little Rectangles" by Debbie Feist - and it was another world from the quilts of Ms. Paine Dawes. These are delicate, fragile-appearing, vintage inspired works that speak of romance, spirituality, and brings visions of a world gone by. Ms. Feist also shares her materials, tools and techniques so that you can create your own world of the past with fabric, fiber, ribbons and embellishments.

The article I spent the most time with was a feature which appears in every issue, "The Artist Portfolio." This issue, the featured artist is Sue Benner, who was interviewed by Ricë Freeman-Zachery (who also wrote the article). As Ms. Freeman-Zachery states: With luscious hand-dyed and painted silks and cottons and - believe it or not - scraps of carefully salvaged vintage polyester, Sue tells us stories about the things we can't see with our eyes.  The multiple page article includes a plethora of photographs which shows both the beauty and the versatility of Ms. Benner's work. You are sure to enjoy this one!

There are many other articles - I think I counted 16 - as well as regular monthly features, including book and product reviews. Certainly one of the most extensive periodicals available. I spent almost three hours (I read magazines cover to cover, as you know!), and poured over the photos, keeping my magnifying glass close by so I could use it when I wanted to get a closer look at the quilting in a specific piece.

One of the things I truly appreciate about this magazine is that its goal is to inform, inspire and invigorate the reader. I do tire of quilt magazines that simply have pattern after pattern after pattern repeated every month. Art Quilting Studio keeps things fresh and alive - and even when the artists share their techniques, they aren't really patterns or tutorials. They are artists sharing their work secrets. And it makes you feel privileged.

So, I highly recommend this issue of Art Quilting Studio Winter 2015, now at your better quilt shops and book stores or by mail here.

And now, for some good news! Stampington & Company has generously offered to send a lucky commenter a copy of the Winter 2015 issue. Just leave a comment below and you'll be entered into the contest. If you re-post this blog post on YOUR facebook page or on YOUR blog, leave an extra comment for each entry and you'll get extra chances! We'll run the contest until the end of the month.
Good luck!

And now that you're inspired ... go make something beautiful!

¸.•´¸.•*´¨) ¸.•*´¨)

(¸.•´ (¸.•´♥ Tristan

Thursday, January 15, 2015

Help Me With This Week's Blog Post!

I can't seem to decide on a topic.

So ...

... and then go make something beautiful.

¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan


Sunday, December 28, 2014

Here a Head, There an Arm, Everywhere a Doll Part ...

Most altered art assemblage artists have a stash of vintage (or new) bisque doll heads to use in their work. They add an intriguing combination of beauty and eerie strangeness to a piece.

Some of us have even been known to go retro and use and celluloid or newer plastic doll heads and/or body parts. I like to use them because they're soft and cut easily into the shapes I want them to be.
Here's one piece I made which was a challenge piece that was to based on Lou Reed's "Take a Walk on the Wild Side." I used a plastic doll head and altered it to so it would lay flat on the front of the mini-shrine.
"Take a Walk on the Wild Side" Altered Kitchen Match Box by Tristan Robin Blakeman

This is a steampunk themed shadowbox that utilizes a porcelain doll head and porcelain baby doll arm ... I love the quirky charm they add!  

Steampunk Style Shadowbox by Tristan Robin Blakeman

Taking my daily walk through Pinterest today, I found some wonderful examples of ways artists have used their stash of porcelain doll heads (at least, they all LOOK like porcelain to me). I don't have any idea who created these works, so if they're yours, PLEASE post below and identify your work so I can give you credit for your terrific work!

Do leave a link to photos of porcelain or celluloid doll parts that you've used in art work in comment section below! I'd love to see what YOU'VE created with these delightful treasures from the past.

and then...go make something beautiful!
¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan

Thursday, December 25, 2014

 Here's hoping yours is the best one ever ...

 "Christmas Morning"

Music by Todd Ellsion

Lyric by Stephen Cole 


Now go make something beautiful!

¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan



Monday, December 8, 2014

"She Loves Me!"

I just discovered this on Youtube - and really wanted to share it with you. If you dont know the enchanting, magical, charming musical "She Loves Me," please bookmark this and when you have two hours to revel in the gorgeous score, witty script and delightful performances about the loves and peccadillos of a group of sale people in a chic parfumerie. 

On Broadway, the lead was played by the magnificent Barbara Cook - and the original cast album is a joy forty years later!

I leave you to enjoy "She Loves Me." You won't be disappointed. It's always been one of my all time favorite musicals.

... and now that you're inspired, go make something beautiful!

¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan

Thursday, November 27, 2014

Best Wishes,
¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan

Friday, October 31, 2014

Happy Vintage Hallowe'en!

Have a terrific Hallowe'en!

...Now go make something beautiful - and spooky!

¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan