Tuesday, October 7, 2014

"Alice in Wonderland - House of Cards" by Olga Stuk

Since last week I wrote about all the films that had been made of the "Alice in Wonderland" and "Alice Through the Looking Glass" books, I thought this would be a nice follow up - a really amazing little piece of steampunk-esque art called "Alice in Wonderland - Card House" by Olga Stuk of Ukraine. She is also one of the designers for Graphic 45. Her blog is here.

Mostly, this will just be a lot of photographs, as I don't speak Ukranian! But, I think you'll agree this is a knock-your-socks-off piece of work!

... a nice little video showing the House of Cards in detail

Now that you've been given a little inspiration, get in that workspace and make something beautiful!

¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan

special thanks to Karen at Zannido's Muse for first
alerting me to this wondrous creation!

Sunday, September 21, 2014

"Alice in Wonderland" Films Through the Past Century

Aware how much I love anything having to do with "Alice in Wonderland" - also "Through the Looking Glass," but mostly "Wonderland - my friend, Marissa, sent me this photo from the 1933 film version of the story. I have never seen this one. But the mask on the Duchess - and the bawling baby are perfect!

I got curious about the number of times this fanciful tale had been told on film - and discovered that it is filmed as often - or, perhaps, more! - as "A Christmas Carol!" So many, starting right at the turn of the past century!

(1903). The very first onscreen Alice was British born May Clark(1903), only 8 years after the birth of cinema (and 37 years after Carroll wrote his book.)  Originally she  worked for Hepworth Film Studios as a film cutter and production secretary when she was cast.  The film is memorable for its use of special effects, including Alice’s shrinking in the Hall of Many Doors, and in her large size, stuck inside of White Rabbit’s home, reaching for help through a window. Only one copy of the original film is known to exist and parts are now lost.

(1910). The Second girl to play Alice was Gladys Hulette (1896-1991). It is a 10-minute black-and-white silent film made in the United States in 1910. Being a silent film, naturally all of Lewis Carroll’s nonsensical prose could not be used, and, being only a one-reel picture, most of Carroll’s memorable characters in his original 1865 novel similarly could not be included. What was used in the film was faithful in spirit to Carroll, and in design to the original John Tenniel illustrations. Variety complimented the picture by comparing it favourably to the “foreign” film fantasies then flooding American cinemas.

  (1923). This was a Disney short, in it Alice visits Disney’s cartoon studio where the cartoons jump off the page. Later on, she sleeps and dreams that she has gone to Cartoonland where she is able to interact with the cartoon characters. Alice was played by Virgina Davis (1918–2009). Virginia signed her first contract with Disney for a salary of $100 a month, and she began filming the Alice shorts in Walt Disney’s first studio, his uncle’s garage. His brother Roy O. Disney was the cameraman, and the Disney family dog Peggy appeared in many of the films. The Alice shorts became very popular, providing Disney with his first national success. But as the series progressed, Disney became more interested in the animation aspect, which minimized Virginia’s live-action role; she only made about thirteen of the Alice shorts before her contract was severed.

Alice in Wonderland (1931) This is the first sound version of the story. The film starred Ruth Gilbert (1912-1993) as Alice. This low-budget film was possibly made with a cast of amateur actors, many of whom struggled to reproduce British accents. It came out one year before the centenary of the birth of Lewis Carroll, which was causing a wave of ‘Alice’ fever on both sides of the Atlantic. Because of this interest, the film opened at the prestigious Warner Theater in New York. It was not financially successful though and received little critical attention. Today, it is rarely if ever shown, and for a time there was even some doubt as to whether prints of it still existed. It has never been shown on television

(1933). Charlotte Henry (1914-1980) was Alice in this picture. This film was produced by Paramount Pictures, featuring an all-star cast. It is all live-action, except for the Walrus and The Carpenter sequence, which was animated by Leon Schlesinger Productions. Paramount, wanting to cast an unknown actress in the title role of Alice in Wonderland, picked Charlotte from nearly 7000 applicants worldwide.
Stars who featured in the film included W. C. Fields as Humpty Dumpty, Edna May Oliver as the Red Queen, Cary Grant as the Mock Turtle (Grant’s star was still on the ascent at the time), Gary Cooper as the White Knight, Edward Everett Horton as The Hatter, Charles Ruggles as The March Hare, and Baby LeRoy as The Joker. However, it was a notable flop at the box office, the film even cast doubt on whether or not a live-action fantasy peopled by strange-looking characters could be successfully presented on the screen, until MGM’s The Wizard of Oz (1939) erased such doubts.
This version is shown regularly on Turner Classic Movies on tv - and there are lots of clips on youtube.

Alice in Wonderland or Alice au pays des merveilles (1949). This is a French film version of the Classic. Twenty year old Carol Marsh (1926–2010) starred as Alice.
The film was not widely seen in the U.S. upon its completion, due to a legal dispute with the Disney Studios, which was making its own full-length animated version of Alice at the same time as the Bower version was being worked on. Disney sued to prevent release of the British version in the U.S., and the case was extensively covered in Time magazine. The company that released the British version accused Disney of trying to exploit their film by releasing its version at virtually the same time. Both films flopped in the U.S. when they opened in 1951, but Disney saw to it that the fame of its version was kept alive by showing an edited version of it on network television as part of their Disneyland series and issuing two record albums based on the film.

(1951).  This is the 1951 American animated fantasy-adventure film produced by Walt Disney Productions and based primarily on Lewis Carroll’s Alice’s Adventures in Wonderland with a few additional elements from Through the Looking-Glass. The 13th in the Walt Disney Animated Classics series, the film was released in New York City and London on July 26, 1951. The film features the voices of Kathryn Beaumont (who would later voice Wendy Darling in the 1953 Disney film Peter Pan) as Alice, and Ed Wynn as the Mad Hatter. The film met with a lukewarm response at the box office and was a sharp disappointment in its initial release, earning an estimated $2.4 million at the US box office in 1951.

(1966). This is a BBC television play, shot on film. Director Jonathan Miller chose Anne-Marie Mallik (1952) to play Alice because she had an appropriate sense of Victorian solemnity about her. Miller’s production is unique among live-action Alice films in that he consciously avoided the standard Tenniel-inspired costume design and “florid” production values. Most of the Wonderland characters are played by actors in standard Victorian dress, with a real cat used to represent the Cheshire Cat. Miller justified his approach as an attempt to return to what he perceived as the essence of the story: “Once you take the animal heads off, you begin to see what it’s all about. A small child, surrounded by hurrying, worried people, thinking ‘Is that what being grown up is like?’ With its star-studded cast and gothic and bohemian overtones, it created quite a stir at the time. Miller had envisaged an Alice “with no stage experience, not very pretty but curiously plain, sallow and a bit priggish”. After advertising the part, he cast Mallik within twenty minutes of meeting her, having asked her (as Mallik recalled) to recite the poem “You Are Old, Father William” which Alice performs for the Caterpillar. Miller’s first impression of her was of a “rather extraordinary, solemn child” who proved to be “naturally expressive” and “not amused by anything [she was] surrounded by”. In similar, though less complimentary, vein, the biographer of Peter Cook, who played the Mad Hatter, has described Mallik’s Alice as “a sullen, pouting, pubescent with no sense of bewilderment”, noting also that, in his view, “the whole piece was strangely lacking in either humour or fear”.
(1985) This was an American television production that combined parts of "Alice in Wonderland" and "Alice Through the Looking Glass." It had an all-star cast led by Natalie Gregory as Alice. On hand were Red Buttons, Carol Channing, Sherman Hemsley, Donald O'Connnor, Sammy Davis, Jr., and Martha Raye. It was a top-rated show for the week and #1 rated show for the evening it aired.

(1999) American TV can't seem to get enough "Alice in Wonderland" and another special was filmed with Tina Majorino starring as Alice. Another all-star cast was gathered as the inhabitants of Wonderland, including Whoopi Goldberg, Robbie Coltrane, Ben Kingsley,  Miranda Richardson, Martin Short, George Wendt, Gene Wilder, Peter Ustinov, and Christopher Lloyd. This production was not successful, either with viewer or critics. Though visually a feast, the addition of "Through the Looking Glass" scenes and an unnecessary subplot about Alice being afraid to sing at a party just slowed down the entire affair until it ground to a half ... half way before it was over. Perhaps if an editor today were to take it and turn it into a 90 minute special it would have a better chance.

(2010) In the most recent film version Tim Burton has nineteen-year-old Alice (Mia Wasikowska)    return to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror. Again, a cast of star accompany her journey - most notably Johnny Depp as the Mad Hatter and Helena Bonham Carter as The Red Queen. Also on hand are Anne Hathaway, Crispin Glover, Stephen Fry, Alan Rickman, and Christopher Lee...and a cast of thousands. Burton adapts the Alice story - updates, rearranges, changes, enhances, deconstructs and reconstructs it. He pulls out all the famous Tim Burton "tricks" with fanciful and disturbing make-up and sets and uses CGI, 3-D, and every other film tech wizardry available to him. I absolutely adore this film - many many do - and just as many didn't care for it. It got mixed reviews for all the same reasons - some critics raved - some ranted. But it was a huge hit, because whether one ended up liking it or not liking it, everybody wanted to see the latest "Alice in Wonderland!"

So there we have it. "Alice in Wonderland" on film through the years. I thank my friend, Marissa, for getting me interested enough to do several hours research and watch a LOT of youtube clips for the films I had never seen before! I wouldn't exactly call it a chore.

Hmmmm. Now, I'm thinking I need to do an "Alice in Wonderland" themed tag/photo/journal album!

And, so, it's time for YOU to go make something beautiful!
¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan

Sunday, July 27, 2014

It's a Circus at Alpha Stamps! Join the Circus Promenade!

 I was flattered to be invited to be a guest designer at one of my favorite online art and craft supply shops, Alpha Stamps during their July Circus Mini Theatre Kit jubilee! There have been so many marvelous ideas and clever constructions, that I was excited to participate in the party!

Be sure to visit Alpha Stamps during their July Circus Celebration -  click here to let the fun start!

The Mini Theatre Circus kit arrived - along with a few extras - and I let my imagination go wild. I knew I wanted to create something that would not only showcase the terrific products in the kit and in the shop, but would, hopefully, inspire others to let whim take over their better sense!

Very little of the products used were not included in the kit - the supplies are 90% of Alpha Stamp origin.

Basically, the piece consists of three components: the base, the carousel-shaped column stand, and the mini theatres topper. In the above photo, the resin circus animals and the hand-made polymer flowers are the only pieces not included in the kit. The carousel shaped column started out as a $1 unfinished birdfeeder from Joann's, which was completely dismantled and rearranged and retains little of it's original appearance, other than the shape.

 Although I was only requested to make one mini theatre, there were so many materials and delightful supplies, collage sheets, ephemera, findings and trims, that I couldn't help myself - I had to make four.
This one features circus performers and dancers and showgirls, and a big-top interior background from Alpha Stamps collage sheets. Also, the circus images (kind of hard to see in the photo) displayed in the bottle caps are from Alpha Stamps - a Graphic 45 sheet of cardstock.

The second mini theatre utilizes more Alpha Stamps collage sheets - the circus performers background, the clown, the theatre facade and the chariot-driving dog. The 3-D golden stars on the facade (also used on the base) were from the kit, as well.
 This mini theatre, again, uses a lot of images and backgrounds from the Alpha Stamps collage sheets, as well as lots of golden Dresden scrap (as do all the theatres and other parts of the construction piece). I love Dresden scrap (especially the luscious gold vintage beauties!) and Alpha Stamps has a really large collection/selection available. The crepe paper ruffles on the base of the mini theatre cube came from my stash and was not part of the kit.

And the fourth, and final, mini theatre again uses collage sheet images from Alpha Stamps, as well as their trims, tassels, golden Dresden scrap and beads. I love this Gypsy woman leading the elephant through his trained tricks! The brass elephant ornament on the top is from my personal stash.

And finally, the top piece of colorful feathers, arranged in a piece of foam which has also been covered with hand-made polymer flowers. The figures on the posts - and the delightful miniature gold-glittered stars - are from Alpha Stamps collage sheets and part of the circus kit.

This was so much fun to create - I hope you enjoyed seeing it. You're going to see it again, as I plan on selling tickets to a raffle for it to benefit our local dog rescue. I do hope you'll participate in the good intentions - and maybe win a charming new piece for your collection!

Remember, start to run away to join the circus here!

Now, go make something beautiful!

¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan

 Enchanated Ballerina Image via Anita at http://wwwcastlescrownscottages.blogspot.com/

Tuesday, July 15, 2014

A Little Men's Style, Anyone?

Selecting Your Waistcoat Fabric

Okay. We'll get the technicalities out of the way ... you can call it a vest (most do), but it's not a vest, it's a waistcoat ... and it's not pronounced ˈwās(t)ˌkōt, it's pronounced ˈweskət. So, just so we're clear, if you insist on using the term vest (which is perfectly acceptable), whenever you see the word 'waistcoat,' think 'vest.' And we'll be on the same page!

In the 1850's, American men started wearing "ditto suits" or suits sewn with the exact same fabric for the suit jacket, the waistcoat, and the trousers.

This practice of choosing a waistcoat fabric that exactly matched the suit coat and trousers saved time and simplified the tailoring process.

As a result of the perceived ease in ordering a ditto suit (as waistcoats with suits were prominent in the 1800's and selecting a waistcoat fabric could be a thought intensive process), the ditto became a less formal choice, and was general worn for business, travel or street wear.

Examples of "ditto suits," using the same fabric for the jacket, waistcoat and trousers.

Before the ditto suit, most waistcoats did not match the suit jacket and trousers at all.

Compare the practice of using the same for the entire suit, as shown above, with the practice of choosing a fabric for the waistcoat that contrasts the suit fabric...

 While the general rule for selecting a contrasting waistcoat is to choose a fabric with obvious color and design variation, your eye will be the ultimate decision-maker on what looks good and what does not.

One of the benefits to contrasting the waistcoat with the base suit fabric is that the same waistcoat can be used with multiple suits, yielding more suit ensembles ... a plus when overall cost and closet space are important factors in building your wardrobe!

Now, wasn't that a fun break from vintage and antique women's clothing?!

...so go make something beautiful!

¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan
Much of the source material for this article was found in Marybelle I. Bigelow's Fashion in History: Western Dress, Prehistoric to Present. Minneapolis, MN: Burgess Publishing 1970


Saturday, July 5, 2014

Celebrate! Go Out and Make Some Noise!


God Bless America

"While the storm clouds gather far across the sea,
Let us swear allegiance to a land that's free,
Let us all be grateful for a land so fair,
As we raise our voices in a solemn prayer. "

God Bless America,
Land that I love.
Stand beside her, and guide her
Thru the night with a light from above.
From the mountains, to the prairies,
To the oceans, white with foam
God bless America, My home sweet home. 

~ Words and Music by Irving Berlin, 1938

Now, go make something beautiful! ...
¸.•´¸.•*´¨) ¸.•*´¨)
(¸.•´ (¸.•´♥ Tristan